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Dossier
1. Primitives José Roberto do Carmo Jr. & Thiago Corrêa de Freitas, Melodic Primitives and Semiosis Lucas Takeo Shimoda, Semiotic Description of Timbre and Usage-Related Variants: An Exploratory Analysis of Orchestration Handbooks
2. The Audible Andrea Valle, Towards a Semiotics of the Audible Lucia Santaella, Sound and Music in the Domain of Rhematic Iconic Qualisign
3. Music, Song, Language Luiz Tatit & Ivã Carlos Lopes, Ce que « chanter » veut dire dans l’énonciation musicale Martine Groccia, La chanson. Essai de sémiotique théorique appliquée Lawrence M. Zbikowski, Words, Music, and Meaning Colwyn Trevarthen, Communicative Musicality or Stories of Truth and Beauty in the Sound of Moving Bjorn Merker, Seven theses on the Biology of Music and Language
4. Metaphor Frederico Macedo, Space as Metaphor: The Use of Spatial Metaphors in Music and Music Writing Line Brandt, Dance as Dialogue: Metaphorical Conceptualization and Semantic Domains
5. Tonality, Harmony, Philosophy Per Aage Brandt, On Tonal Dynamics and Musical Meaning William L. Benzon, “Rhythm Changes”. Notes on Some Genetic Elements in Musical Culture John Halle, From Linguistics to Musicology. Notes on Structuralism, Musical Generativism, Cognitive Science, and Philosophy Peter Bruun, Silence the Silence. Making Sense of Music beyond Consumption and Contemplation
6. Emotion, Body and Performance David Huron, Cues and Signals: An Ethological Approach to Music-Related Emotion William Westney, et al., Musical Embodiment and Perception: Performances, Avatars and Audiences Morten Schuldt-Jensen, What Is Conducting? Signs, Principles, and Problems Varia Alain Rabatel, Le substrat énonciatif de la connaissance narrative empathique et ses enjeux philosophiques Pierluigi Basso Fossali, Le rythme étranger et la catalyse ponctuelle de la culture. Dialogues possibles entre Barthes et Lotman